There was an evolution of imagery that began when I sketched an eyeball with some oil pastels many years ago, and I ended up scanning it at a decent enough resolution to render a .jpg which I used online when I began my first blog which I called
triggerdreams, and happens to be located at that domain in blogspot. I also grabbed
triggerdream in the singular so that someone else didn't occupy within too close of a proximity for my own comfort.
I've begun one blog in my expanding blogdom of thorns devoted to posting uncovered poems from the old days, but I can't recall offhand what I called it. I'll find it when I go digging through the archives. For now I need to put an illustration in just to keep things exciting.
There's no accounting for the mechanism of time itself, for which we are indebted to on the off chance it operates in an unexpected, asynchronous and or with an aperiodic suddenness bestowing a surging sense of primality. A devotion to coming to terms with resting secure on the face of it all comes from seeing how far along the twisted continuum of time we've come.
We are all carried into the light floating on our backs like organisms pressed between two frames on an operating table examining a cross section of our cellular anatomy. But I digress.
I ran my eyeball oil pastel through deep dream generator with some qualifying text prompts.
The results came out in a startling hyper realism that captures a deeper level of reflection just perfect for the representation of what I'm doing with my poetry blogs and the freezine of fantasy and science fiction.
They both lead to my imprint plasma press which I fashioned in the forge of my reader's most feverish dream, a fantasyland comprised of the all the best elements which made up the adventures of Doc Savage, the arresting fantasy lands of middle-Earth, the swashbuckling romance of the many shades of an Eternal Champion as presented in the multiverse wrought by Michael Moorcock, aimed at and centered in the cross hairs of Stephen King's Dark Tower series, echoing the seven book installments of a template seemingly as old as time itself, which brings up the question . . . how old is time itself, anyhow?
If time itself could age at all, then what, exactly, would that imply? Does time itself represent a fractal of a greater temporal whole? These questions point a finger at the moon. Itself an oblique symbol, or reflection if you will, of eternity's face.